| 辉's profileOmelette's LifepunkBlogLists | Help |
Omelette's Lifepunk——一个不稳定的空间
7/5/2010 TOC & Cover Art: Life on Mars: Tales from New FrontiersLife on Mars: Tales from New Frontiers edited by Jonathan Strahan
青少年科幻小说选集,《The Starry Rift》的姊妹篇。
01. “Attlee and the Long Walk”, Kage Baker 02. “The Old Man and the Martian Sea”, Alastair Reynolds 03. “Wahala”, Nnedi Okorafor 04. “On Chryse Plain”, Stephen Baxter 05. “First Principle”, Nancy Kress 06. “Martian Chronicles”, Cory Doctorow (novella) 07. “Goodnight Moons”, Ellen Klages 08. “The Taste of Promises”, Rachel Swirsky 09. “Digging”, Ian McDonald 10. “LARP on Mars”, Chris Roberson 11. “Martian Heart”, John Barnes 12. “Discovering Life”, Kim Stanley Robinson 6/30/2010 The Lifecycle of Software Objects by Ted Chiang
What’s the best way to create artificial intelligence? In 1950, Alan Turing wrote, “Many people think that a very abstract activity, like the playing of chess, would be best. It can also be maintained that it is best to provide the machine with the best sense organs that money can buy, and then teach it to understand and speak English. This process could follow the normal teaching of a child. Things would be pointed out and named, etc. Again I do not know what the right answer is, but I think both approaches should be tried.” 什么才是创造人工智能的最佳方式?阿兰·图灵在1950年写道:“很多人以为这同象棋比赛一样,是一项非常抽象的行为。还有人主张,在条件允许的情况下,为机器提供的最好的感觉器官,然后在教它理解和使用英语,这个过程可以效仿通常我们教授小孩子的过程,指着某个物体,再说出它的名称,诸如此类。我不知道哪种方法是正确的,不过我认为都应该尝试一下。”
The first approach has been tried many times in both science fiction and reality. In this new novella, at over 30,000 words, his longest work to date, Ted Chiang offers a detailed imagining of how the second approach might work within the contemporary landscape of startup companies, massively-multiplayer online gaming, and open-source software. It’s a story of two people and the artificial intelligences they helped create, following them for more than a decade as they deal with the upgrades and obsolescence that are inevitable in the world of software. At the same time, it’s an examination of the difference between processing power and intelligence, and of what it means to have a real relationship with an artificial entity. 第一种方法已经在科幻小说和现实世界中被尝试了许多次。在这篇新发表的中篇小说中,特德·姜详细地展望了第二种方法在当代背景(新兴企业、大型多人在线游戏和开源软件)中的应用。这个故事描述了两个人和他们协助创造的人工智能,追寻他们十多年来在软件领域中不断升级并最终衰败的经历。同时,这篇小说也审视了处理能力和智力之间的差异,以及同人工智能体发展出一段真正的关系将意味着什么。
6/29/2010 Conflicts edited by Ian Whates
– A spaceship hurtles into the unknown carrying humanity’s last hope, but does it also carry the seeds of its own doom? – 6/26/2010 Godlike Machines edited by Jonathan Strahan
Godlike Machines edited by Jonathan Strahan
II.Return to Titan by Stephen Baxter III.There's a Great Big Beautiful Tomorrow by Cory Doctorow IV.A Glimpse of the Marvellous Structure (and the Threat It Entails) by Sean Williams V.Alone by Robert Reed VI.Hot Rock by Greg Egan
6/23/2010 蒸汽朋克+或然历史:〈爱迪生的弗兰肯斯坦〉本篇小说刚刚获得本年度侧面奖最佳短篇小说提名,一同被提名的短篇小说还有: Paul Di Filippo, "Yes, We Have No Bananas," Eclipse No. 3, edited by Jonathan Strahan, Night Shade Books Bruce Sterling, "Black Swan," Interzone (April 2009) 克里斯·罗伯森的这篇小说背景设定在1893年的芝加哥。为了纪念哥伦布发现美洲大陆400周年,当时那里正在举行一场博览会。来自阿尔及利亚的马戏团在博览会上进行表演,然而一位不速之客打破了他们的日常生活。这个人来到剧团的时候浑身是伤,身体虚弱,而且很快失去了知觉,马戏团的管理员查班准备去警卫那里了解情况的,却发现他们正在调查刚刚发生的另一起命案。在查班尾随警卫前往案发现场的路上,我们可以发现这篇小说中的科幻元素: 普素是一种非常简单的物质。它看上去像水,可以像水银一样流动。把它放在水里,它可以使水沸腾;把它滴在煤炭上,它能把煤炭变成更多的普素;把它放进真空环境,它会发出明亮的白光。 此时太阳西下,公园的街灯启动器已经开始工作,每根灯柱底部的发条机构旋转起来,顶部的雕花玻璃球随之震动,里边的普素被激活了。查班的翻领上挂着饰物,一个精致的水晶瓶,纯银封口。要是他现在摇一摇瓶子,内部清澈的粘性液体就会发出柔和的白光,几乎可以维持到天亮。 查班看到警卫继续越过交通运输展厅,然后向左转入了所谓的名人堂,管理展厅的金色穹顶位于那里的中心,为了能够看清他们进了哪座展厅,查班加快脚步。 查班绕过机器人展厅,发现三名警卫急冲冲地穿了过机械展厅厚重的大门。他紧随其后,表面上却更像是在散步。 查班的左手边,正对着机械展厅大堂的地方,是风格类似的机器人展厅和普素展厅,在它们之间矗立着一尊四米多高的凯威莱德·林戈尔德雕像,手持着六分仪和他从南极带回来的蟹形古机器人的模型。 机器人是证明“上古之人”存在的首个证据,而林戈尔德却不是带回机器人的第一人。这项荣誉要归于詹姆斯·克拉克·罗斯。1843年,他在那个以他命名的岛上带回了一个损坏的机器构架,那上边还有可以旋转的肢体,次年林戈尔德和威尔克斯探险队的其他成员也从南部海域归来。从此为了再次找到这种神奇而又未知的技术存在的证据,人们竞相开展极地探险。林戈尔德的探险队先声夺人,他们再次从冰山裂缝深处发现了一个更为完整的机器人,并把它带了回来。机器人的微引擎中仍然存留着几滴珍贵的普素。然而,这几滴普素足以创造历史,因为,它们和煤炭混合,很快就会产生更多的普素。不久之后,那台机器人也被山寨化了。 关于谁上古之人究竟是谁的争论仍在继续。他们是某个被遗忘的人类种族?还是来自其他星球或现实的访客?一些疯狂的专家甚至声称他们就是亚特兰蒂斯神话的缔造者,只有传说记录过他们的存在。只有一个事实是确定无疑的,他们留下了关于某项技术的少量产品,完全超越了十九世纪五十年代的科技水平。 在案发现场,查班发现了那是一个参加展会的小展台,展出的是一种叫做发电机的设备,发明者名叫爱迪生。然而警察还在现场发现了很多马戏团的猴子的尸体,和一些来自人类尸体的身体器官和肢体,这些迹象表明,有人在利用古老的技术制造生命。 在回到马戏团的路上,查班又心生感慨:如果没有发现普素,那么电能也许就会大行其道。回到马戏团,他又看到了那位浑身是伤的不速之客,而且发觉这个人的眼睛跟自己刚刚死去的朋友的一模一样。故事至此细心的读者可能就会察觉出来,落寞的爱迪生在普素盛行的世界里没能将电能推广开来,却利用自己的发明成功地扮演了一回弗兰肯斯坦的角色。 4/11/2010 Engineering Infinity edited by Jonathan Strahan等了这么久,这本书总算在亚马逊上露面了。
The universe shifts and changes: suddenly you understand, you get it, and are filled with a sense of wonder. That moment of understanding drives the greatest science-fiction stories and lies at the heart of Engineering Infinity. Whether it's coming up hard against the speed of light and, with it, the enormity of the universe, realising that terraforming a distant world is harder and more dangerous than you'd ever thought, or simply realizing that a hitchhiker on a starship consumes fuel and oxygen with tragic results, it's hard science-fiction where sense of wonder is most often found and where science-fiction's true heart lies. The exciting and innovation science-fiction anthology collects together stories by some of the biggest names in the field including Stephen Baxter, Charles Stross and Greg Bear. 2/25/2010 自卖自夸和奖项介绍 去年,我一共有三篇翻译作品发表,其中有一篇发表在新兴的幻想电子杂志《新幻界》上。下面是这三篇作品的介绍和试阅链接。
这是麦金托什发表在Interzone第200期上的一部作品《温柔末世》。它曾分获2006年英国科幻协会(BSFA)和英国幻想协会(BFA)的最佳短篇提名。在文中,作者描绘了这样一个近未来的景象——生物技术发展到普通人也能以较低成本制造大规模杀伤性生物武器,因而恐怖活动盛行,世界经济逐渐崩溃,大多数人对未来失去希望。主人公认为,在这样的情境下,人类好比温水中的青蛙,注定逃脱不了这场缓慢而“温柔” 的末世浩劫。文章用极为细腻的笔触营造了末世绝望的氛围,以及绝望中难得的片刻温情。
《呼吸——宇宙的毁灭》 - 节选(请发邮件至coy[at]dl.cn索取全文) 这篇《呼吸——宇宙的毁灭》的原文是特德·姜发表在一部小说选集中的故事,它从一个特殊的脑解剖实验开始,最后得出世界必将毁灭的结论,映射我们的宇宙将走向热寂的结局。尽管缺少传统意义上的戏剧冲突,但是这篇小说体现出的想象力绝对令人震惊。
《树人》 - 节选(请发邮件至coy[at]dl.cn索取全文) 这三篇小说都属于中文幻想星空奖最受欢迎翻译小说的候选作品,喜欢这三篇小说的朋友可以为它们投上一票。 致第42宇宙银河系惑星地球华语片儿区的全体幻想迷:
2/10/2010 TOC: The Secret History of Fantasy
"Sleight of Hand" by Peter S. Beagle
"Bears Discover Fire" by Terry Bisson
"Fruit and Words" by Aimee Bender "Bones" by Francesca Lia Block "We are Norsemen" by T.C. Boyle "The Book of Martha" by Octavia E. Butler (中文译本) "The Empire of Ice Cream" by Jeffrey Ford (An Essay) by David G. Hartwell "Mythago Wood" by Robert Holdstock "Mrs. Todd's Shortcut" by Stephen King "Super Goat Man" by Jonathan Lethem "Scarecrow" by Gragory Maguire "The Vita Æterna Mirror Company" by Yann Martel "Ancestor Money" by Maureen McHugh "Lady of the Skulls" by Patricia A. McKillip "The Barnum Museum" by Stephen Millhauser "The Edge of the World" by Michael Swanwick 1/29/2010 关于特德·姜的消息1/28/2010 2010英国科幻奖提名名单Best NOVEL
China Mieville - The City and the City, Macmillan ![]() Stephen Baxter - Ark, Gollancz
Adam Roberts - Yellow Blue Tibia, Gollancz ![]() Ursula Le Guin - Lavinia, Gollancz ![]() Best Short Story
Ian Watson & Roberto Quaglia - "The Beloved Time of Their Lives" - The Beloved of My Beloved, Newcon Press
Eugie Foster - "Sinner, Baker, Fabulist, Priest; Red Mask, Black Mask, Gentleman, Beast" - Interzone 220
Ian Whates - "The Assistant" - The Solaris Book of Science Fiction Volume 3
Ian McDonald - "Vishnu at the Cat Circus" - Cyberabad Days
Kim Lakin-Smith - "Johnnie and Emmie-Lou Get Married" - Interzone 222
Dave Hutchinson - "The Push", Newcon Press
Best Art
Adam Tredowski - covers of Interzone issues 220,224 and225
![]() ![]() Nitzan Klamer - 20,000 Leagues Under the Sea, cover, art project published online
Stephanie Pui-Min Law - Emerald
![]() Stephan Martiniere - Cover of Desolation Road by Ian McDonald
![]() Best Non-Fiction
|
|
|||
|
|